Tag Archives: Liverpool

L is for Leaf

Posted on by

The smallest element in bibliographical descriptions of books: the piece of paper comprising two pages. The front side is called the recto and the back is the verso.

A leaf numbered on the recto may be referred to as a folio – foliation (numbering each leaf) is often seen on manuscript texts and became a common printing practice in the late 15th and 16th centuries. Books from 1600 onwards have more usually been printed with pagination (a separate number for each page, or side of the leaf).

Fraser 567: Nicolas Monardes, Ioyfull newes out of the new-found vvorld (1596) showing foliation

The physical description statement in catalogues gives the make-up of the book in sequences of leaves (if the printed text is foliated) or pages (if the text is paginated). Descriptions by number of pages always give an even total to account for both the recto and verso of the leaf, even if the verso if the final leaf is blank.

Description ix, [1], 533, [1] pages, [1] leaf of plates: illustrations; 20 cm

Illustrations such as woodcuts may be included as part of printing the text, and not separately numbered, but illustrations such as engraved plates printed by a separate process are numbered as leaves, since the illustration is on one side of the leaf only.

Leaf may also be used in terms describing parts of a book: endleaves (or endpapers) are the additional leaves before and after the printed text; flyleaf is sometimes used to refer to a leaf at the beginning of a volume. They are normally mentioned in catalogue descriptions as the location of bookplates, owner’s inscriptions, etc., or for their decorative qualities.

An interleaved copy of a book has additional blank leaves bound in for the owner’s notes, either as an integral part of the publication, or for an individual owner after publication:

2017.b.008 – Liverpool shipping register for 1835 interleaved for corrections and additions.

JUV A727.1 – The illuminated scripture text book with interleaved diary for memoranda and a coloured illustration for every day by Edmund Evans (1875)

Reference round-up

Posted on by

A review of some recent additions to the Special Collections & Archives reference collection held in the SC&A reading room gives a snapshot of some of the research taking place at the tables there. It include works engaged with, or illustrated from, collections as diverse as the Cunard Archive, 18th- and 19th-century Liverpool writings, the papers of David Owen, and illustrated editions of Homer.

Marc-Antoine Bombail and Michael Gallagher, The fleet book (2017)

The fleet book by Marc-Antoine Bombail and Michael Gallagher gives,

A complete and detailed list of all the Cunard ships that have served with the company since 1840. Each vessel is classified in chronological order of entry into Cunard service, and has a brief description, and history, while the majority of them are accompanied by a photograph.

The book uses many illustrations from the Cunard Archive.

David Owen, Cabinet’s finest hour (2016)

David Owen’s Cabinet’s finest hour adds to the section of the SC&A reference collection devoted to the David Owen Archive, which was deposited at the University following on  Lord Owen’s tenure as Chancellor, 1996 – 2008.

Special issues of La questione romantica on Edward Rushton’s bicentenary (2017)

The two special issues La questione romantica on the bicentenary of Edward Rushton (1756-1814) cover many of the activities and participants celebrating one of Liverpool’s forgotten heroes. They draw on early printed editions of Rushton’s works from Special Collections and include wide-ranging essays on his career as poet, abolitionist, founder of the Liverpool Blind School and on the wider contemporary culture of Liverpool.

One aspect of that culture was the thriving ceramic industry, which also features in the most recent addition to the reference collections:

Dick Henrywood, Transferware Recorder 4 (2018)

The volume includes reproductions of John Flaxman’s designs for The Iliad and Odyssey of Homer from William Sotheby’s 1834 edition in the Homer collection of illustrated editions. The designs appeared on soup tureens, vegetable dishes, sugar boxes, teapots, wash jugs, and sauceboats.

 

 

 

Roscoe’s University: Liverpool Royal Institution 1817 – 2017

Posted on by

To celebrate the bicentenary of the Liverpool Royal Institution, opened by William Roscoe on 25 November 1817, an exhibition is on display at the Sydney Jones and Harold Cohen libraries until the end of the year.

In addition, a reading of selected passages from Roscoe’s 80-page opening address will take place in the School of the Arts Library between 3 and 5pm of the 100 year anniversary date, with a tour of the exhibition. The free public event is hosted by Eighteenth-century worlds.

The display in the Harold Cohen cases, including the Toucan from within William Swainson’s Zoological Illustrations (1820) .

The Harold Cohen Library is showcasing scientific books from the Library of the Liverpool Royal Institution, including a selection of coloured plates of insects and birds which made use of the new technique of lithography. The plate of a toucan from the first volume of William Swainson’s Zoological Illustrations (1820; above image) recalls the Google doodle for Swainson’s (224th) birthday in 2013 (below image).  John Blackwall’s A History of the Spiders of Great Britain and Ireland (1861-1864) describes 300 spiders and illustrates 272 of them. It was the life’s work of the Manchester businessman, who retired to North Wales to complete it. The copy in the Liverpool Royal Institution Library was one of the first to be borrowed when rules changed to allow the fee-paying subscribers (“proprietors”) to take books home. The borrower, Rev. H. H. Higgins, had a professional interest, having arranged the invertebrate display in Liverpool’s Free Public Museum when it moved to William Brown Street.

The exhibition in the Special Collections and Archives exhibition area in ground floor Grove Wing, Sydney Jones Library.

New Accessions: Guides to Health

Posted on by

As part of our series introducing new summer acquisitions to SC&A, we are pleased to showcase two items from 1854 and 1890.

SPEC 2017.a.023

Controul of the passions, printed in 1854, is, on the surface, a guide to the “duties and obligations of the married state”. With a brief nod towards conjugal relations the text focuses primarily on “self pollution”, gonorrhoea and other venereal diseases and includes some choice images of the ravages of syphilis. This item is exceptionally rare, despite it being printed as the twenty first edition, with no copy with this imprint being recorded elsewhere. In keeping with the theme of sexual health and propriety, the second acquisition is The golden referee: a guide to health, printed in 1890.

SPEC 2017.a.024

Heavy on “the injurious effects of solitary and sexual indulgence” one of the most interesting aspects of this book is a printed note on the inside upper wrapper stating that the copyright for the item is owned by Joseph Thornton Woodhead. The same Mr. Woodhead was the owner of the Liverpool Museum of Anatomy, a notorious attraction which remained open in Liverpool until 1937. On the lower wrapper is an advertisement for the Museum, previously at 29 Paradise Street, which seeks to present it as “An interesting collection! An intellectual study!! And a public advantage!!!”. In reality it offered a mix of models and diagrams of the human body, discreet consultations for men with sexual problems and even courses on midwifery with a heavy tone of morality, rather than titillation.

Already included in the collections here at SC&A is a copy of the descriptive catalogue of the Museum at shelfmark Y87.3.222, which includes a matching advertisement to the one found on The golden referee.

SPEC Y87.3.222

For further reading on medical museums the Sydney Jones Library holds:

  • Morbid curiosities: Medical museums in nineteenth-century Britain by Samuel J.M.M. Alberti
  • Medical museums: Past, present, future edited by Samuel J.M.M. Alberti and Elizabeth Hallam.
  • Anatomy as spectacle: Public exhibitions of the body from 1700 to present by Elizabeth Stephens.

New Exhibition: Local Literary Landscapes

Posted on by

This year sees the exciting launch of the inaugural Liverpool Literary Festival, running 28–30 October 2016. To celebrate, a new exhibition at Special Collections & Archives is highlighting the work of those literary figures who have sought inspiration from Liverpool and the surrounding area, particularly local poet Matt Simpson. His newly-acquired archive provides the bedrock for the exhibition and reveals just how much his work was influenced by Liverpool; his verses are full of the city and its people.

Matt Simpson returns to his childhood street

Matt Simpson returns to his childhood street

Simpson (1936-2009) grew up in Bulwer Street, Bootle, where he attended the local grammar school.  He went on to study English at Fitzwilliam College, Cambridge, and returned to Liverpool in the 1960s after his marriage to German actress Monika Weydert. He taught in various schools and colleges, including Christ’s College (now Liverpool Hope University). He published many collections of poetry, including some for children, as well as critical essays and monographs. He also undertook a poetry residence in Tasmania, which inspired his collection, Cutting the Clouds Towards (Liverpool: Liverpool University Press, 1998). But it was the city where he grew up and lived most of his life which would be his most enduring inspiration.

SPEC Merseyside Poets I.S615.M23 : Matt Simpson, Making Arrangements (Newcastle upon Tyne: Bloodaxe, 1982)

SPEC Merseyside Poets I.S615.M23 :
Matt Simpson, Making Arrangements (Newcastle upon Tyne: Bloodaxe, 1982)

The exhibition also includes impressions of the city recorded in the poems, autobiographies and travel diaries of a host of others, from novelist Daniel Defoe to physicist Oliver Lodge, social reformer Josephine Butler to poet Donald Davie.

The exhibition will run until the end of the year. In 2017 we’ll be celebrating the 50th anniversary of Mersey Sound, the anthology of poems produced by the ‘Liverpool Poets’ Brian Patten, Roger McGough and Adrian Henri.

Utopia Calling – Remembering Eleanor Rathbone

Posted on by

January 2016 sees the 70th anniversary of the death of the celebrated social reformer Eleanor Rathbone. To commemorate this event, an exhibition of items from Special Collections & Archives’ Rathbone Papers seeks to highlight her life and times.  Eleanor’s political career, social campaigning, family and legacy are examined through photographs, political manifestos, correspondence, publications and ephemera.

Eleanor Rathbone (centre) and other Liverpool suffragists campaigning in support of the pro-women’s suffrage candidate in the Kirkdale by-election, 1910. RP XIV.3.101

Eleanor Rathbone (centre) and other Liverpool suffragists campaigning in support of the pro-women’s suffrage candidate in the Kirkdale by-election, 1910. RP XIV.3.101

Born in Liverpool and educated at Kensington High School, London and Somerville College, Oxford, Eleanor was the second daughter of William Rathbone VI (1819-1902) and his second wife Emily Lyle (d.1918).  The Rathbone family were a Liverpool dynasty of non-conformist merchants and ship-owners, philanthropists, politicians and social reformers, artists and patrons of the arts.  From 1788 until 1940 the Rathbone family home in Liverpool was Greenbank Hall, which was bequeathed to the University in 1944.

In 1909 Eleanor Rathbone became the first woman elected to Liverpool City Council, standing as the independent councillor for the Granby Ward until 1935.  During this period she was a prominent campaigner for the cause of women’s suffrage, and in 1909 helped to establish the Liverpool Women’s Suffrage Society.  In the years after the First World War, Eleanor became a leading voice in the movement which saw the introduction of widows’ pensions in 1925 and the equal franchise legislation of 1928.

In 1929 Eleanor Rathbone was elected as the Independent MP for the Combined English Universities, a position she held until her death in 1946. She was one of the first politicians to realise the potential danger from the Nazi party in the 1930s, and was a relentless critic of the government policy of appeasement. Instrumental in the establishment of the Parliamentary Committee on Refugees in late 1938, Eleanor was a formidable campaigner on behalf of refugees from Francoist Spain and Nazi-occupied Czechoslovakia. Building on her earlier social work, Eleanor was a vocal advocate for the introduction of family allowances, more commonly known as ‘child benefit’.  The Family Allowance Act was passed in 1945, with Eleanor instrumental in ensuring the benefit was paid directly to mothers.

The exhibition is open during SCA opening hours (Monday to Friday, 9.30am-4.45pm), and is also accessible at weekends during the core Sydney Jones Library opening hours of 12pm to 5pm.  Please ask for access at the main Sydney Jones Library reception desk.  The exhibition runs until April 11th 2016.

Edward Rushton, Blind Eye-witness

Posted on by

As Liverpool continues to celebrate Edward Rushton (1756-1814) “Liverpool’s most radical son” with the bicentennial conference, Edward Rushton and Romantic Liverpool, some notable contemporary works are on display in Special Collections and Archives, alongside the two newest works on Rushton, published by Liverpool University Press: a new edition of the Collected Writings of Edward Rushton, prepared by Paul Baines of the Department of English, University of Liverpool, and a critical study of Rushton, Talking Revolution, by Franca Dellarosa of the Università degli Studi di Bari ‘Aldo Moro’, Italy.

rushton122 November 2014 marks the 200th anniversary of the death of Edward Rushton (1756-1814). Born in Liverpool and apprenticed as a sea-boy at the age of 11, Rushton contracted a devastating eye infection on a slave ship and returned, blind, to Liverpool to live on a small allowance from his father, a vintner and dealer in spirits. At various times he ran a pub (in Crooked Lane), a newspaper, and finally and most successfully a bookshop (in Paradise Street).

With the help of various assistants he read as extensively as he could and began writing poems in about 1780, publishing them in newspapers. He thus came to the attention of the small group of intellectuals and radicals in Liverpool centred on the figure of William Roscoe. In 1787 the West-Indian Eclogues appeared as a separate publication, and many of his marine ballads (notably The Neglected Tar) were sung in taverns, at theatres, and in the streets.

Rushton was a staunch support of radical causes including the French revolution and American Independence (though he continued to berate both countries for their involvement in imperialism and slavery). He protested against the use of press-gangs, British violence in Ireland, the Russian domination of Poland, and any neglect of the poor by the rich. He also wrote charity songs for the Blind School and other humanitarian institutions. Many of his poems appeared in chapbooks or as single-sheet items; some were finely printed by the Liverpool-based printer and poet John M’Creery, who also printed his Poems of 1806.

At around the same time Rushton was operated on, five times, by the Manchester eye-surgeon Benjamin Gibson, who managed to restore some sight in one of Rushton’s eyes, allowing him to see his wife and children for the first time. Rushton was well-known in the radical and intellectual societies of Liverpool. He had a wide range of political connections in Belfast and Manchester, and was much reprinted in America. He suffered from gout – the subject of some of his more comic poems – and his death in November 1814 appears to have been brought on by a proprietary gout medicine. He was buried in St Johns’ Cemetery, Liverpool, and in 1824 his son (also Edward, later a Liverpool magistrate) and the Unitarian minister William Shepherd, edited a further volume of his Poems, and Other Writings.

Copies of Rushton’s work and other material from Special Collections and Archives can be seen at the Victoria Gallery & Museum as part of the city-wide Unsung exhibition.

 

 

 

Who Does She Think She Is?

Posted on by

To celebrate the start of Look/13/Liverpool International Photography Festival, Special Collections & Archives has an exhibition of historic photographs of Liverpool women, under the title Who Does She Think She Is?

image copyright: Marc Provins

image copyright: Marc Provins

Case One: Josephine Butler – The Beauty and the Beer

Images of Josephine Butler (1828-1906), who lived in Liverpool from 1866-1882. Josephine was an educational and social reformer, and a fierce opponent of the double standards of sexual morality in the Victorian era. She shocked her audiences by the contrast between her striking feminine appearance and the subjects she addressed.

Josephine Butler was ambivalent about images of herself, but her image and name still have resonance in Liverpool:

    • in the Anglican Cathedral’s Noble Women Windows
    • in sculptures at the Walker Art Gallery
    • in a suitcase in John King’s 1998 ‘A Case History’ on Hope Street
    • on the label for Liverpool Organic Brewery’s Elderflower Ale!

Case Two: Rathbone family albums – Curtain calls

Victorian photograph albums belonging to the prosperous Rathbone family of Liverpool, renowned philanthropists, politicians and social reformers. The albums are designed to hold carte-de-visite (visiting card) prints of celebrities, and portraits of family and friends, and showcase the Rathbones’ connections in Liverpool society.

The National Media Museum has identified the changing studio props used in these commercial portraits decade-by-decade, following the latest fashions:

1860s – balustrade, column and curtain
1870s – rustic bridge and stile
1880s – hammock, swing and railway carriage
1890s – palm trees, cockatoos (usually stuffed specimens) and bicycles
1900s – the motor car

Case Three: Women at the University – Room at the Top

Photographs of women’s sporting and fundraising events at the University of Liverpool from the 1900s to the 1930s, alongside the 1933 resolution passed by Liverpool University Council requiring female members of staff to resign if they got married.

Early University portrait albums contain pictures of only three women, but 2013 has already seen a notable step forward with the appointment of the University’s first female Professor of Physics, Tara Shears.

images of Liverpool University women students

image copyright: Marc Provins

image copyright: Marc Provins